国产 巨乳 （二）共生•2022届山东财经大学与好意思国拿撒勒大学艺术专科毕业生作品展示
EXHIBITION PREFACE
———— 展 览 前 言 ————
在山东财经大学建校70周年暨团结建校10周年之际，2022届好意思术学（艺术品投资与武断、艺术金融）、设想学（视觉传达设想、告白学）两个专科（四个专科主见）的近120名同学也行将完资本科四年的学习，迎来毕业的日子。在履历了新一波疫情的进修后，艺术学院师生还是克服穷苦，到手完成了毕业论文答辩、毕业创作（设想）等惯例职责，并与往年一样，在线下举办艺术学院毕业生作品展，出书毕业生作品集。
连年来，在学校带领和联系部门的鼎力赞助下，在学院班子、师生的共同力图下，艺术学院已毕了较大发展：三个专科全部获评为省级一流本科专科，顺利获批艺术专科硕士点，新的院址基本建成并过问使用。应该说，学院的平台竖立、硬件规律、软实力等方面都得到较好的改善、扶植，何况领有了一流的好意思术馆。以上的变化、发展，也赋予了本年的毕业展览几个至极之处：其一，这是艺术学院搬迁新居以来的第一个毕业作品展；其二，这是山东财经大学海岱好意思术馆开馆以来的第一个毕业作品展。
本届展览是我校第一次调停海外大学共同举办艺术专科毕业生作品展。连年来，在学校国际交流与互助处的赞助下，艺术学院与好意思国拿撒勒大学艺术学科在学生深造、学术讲座、讲课等范畴建立了多元化的互助模式。2021年，两边开启了以“共生”作为主题的艺术展览及学术研讨行径。本年，咱们不竭延续这一主题，将这次行径命名为“共生·2022山东财经大学与好意思国拿撒勒大学艺术专科毕业作品展”，并进行线上学术研讨会。同期，咱们也会将通盘毕业生的展览作品结集成册。这些系列行径的举办，标志着我院国际互助办学又迈出了坚实的一步。也许，这些毕业生的作品并不十分红熟，但却凝结了两校130余位艺术专科本科毕业生在不同社会、文化配景下对于自身专科学习的审慎念念考。从这个角度上来说，这些具有探索性的作品是殊为宝贵的。
好意思好的大学四年行将赶走，同学们也行将走向新的职责、学习环境，并开启簇新的东说念主生路径。愿诸君同学此去康庄大道，再再会时咱们初心还是！
宋述林 杨扬
EXHIBITION INFORMATION
———— 展 览 信 息 ————
展览时刻：2022年5月26日—5月31日
展览地点：山东财经大学海岱好意思术馆
开馆时刻：周二-周日 9：00-17：00
ART APPRECIATION
———— 优 秀 作 品 欣 赏 ————
山 东 财 经 大 学好意思/术/学
作品称呼：陋室铭 | An Epigraph in Praise of My Humble Home
作家：张倩华 Zhang Qianhua
指导西宾：李峰 Li Feng
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：138×69（cm）
作品分类：书道 calligraphy
创作阐明：
小篆书 《陋室铭》释文:山不在高，有仙则名:水不在深，有龙则灵。斯是陋室，唯吾德馨。苔痕上阶绿，草色入帘青。言笑有鸿儒，往返无白丁。不错调素琴，阅金经。无丝竹之乱耳，无文案之劳形。南阳诸葛庐，西蜀子云亭。孔子云:“何陋之有? ”
Description:
The calligraphy is in seal script and derived from an article of Tang literatus Liu Yuxi.The author who wrote it expressed his spirits of dwelling in modest lifestyle and being secluded from the busy world.
视/觉/传/达/设/计
作品称呼：苔藓微景不雅“品”的包装设想 | The Packaging Design Of MossMicrolandscape "Product"
作家：史珂 Shi Ke
指导西宾：吴春华 Wu Chunhua
媒材：木制材料 玻璃材料 真丝面料 胶版印刷 松墨印刷等 Wooden Materials，Glass Material，Real Silk Fabrics， Offset Printing， Ink Printing
创作日历：2022 年 3 月 14 日
尺寸：20×13×7（cm)
权衡范畴：包装设想 Packaging Design
创意阐明：
生态理念下的包装设想是包装产业发展的势必走向。在铺张盛行期间下，存在东说念主们对生态理念的冷酷以及对居品内涵阐明的隐匿等联系问题。这次设想恰是针对以上情况，以生态理念为切入点，对生态理念下居品包装进行扩充性设想——苔藓微景不雅的包装设想。本次设想目的是应用苔藓微景不雅来对生态理念进行传扬，并为包装设想提供一种新的绿色设想理念，为铺张者提供一种最容易且最日常的接受方式来增强对生态理念的阐明。
Description:
Packaging design under ecological concept is the inevitable trend of packaging industry development. In the era of consumption， there are related problems such as people's ignorance of ecological concept and the disappearance of the understanding of product connotation. In view of the above situation， this design takes the ecological concept as the entry point to carry out the practical design of product packaging under the ecological concept -- the packaging design of moss micro-landscape. The purpose of this design is to use moss micro landscape to spread the ecological concept， and provide a new green design concept for packaging design， to provide consumers with the easiest and most widely accepted way to enhance the understanding of ecological concept.
好意思 国 拿 撒 勒 大 学
Title: Chains Of Misery | 可怜的锁链
Name：Alexandrea Bianchi 亚历山德拉·比安奇
Instructor: Ron Netsky
Medium: Lithography 平版印刷
Date of Completion: 2021
Size: 12in x 16in
Area of Study: Printmaking 版画
Creative Idea Behind the Project (Artist Statement):
My Thesis revolves around how humans are impacting the lives of innocent animals negatively in the world. This includes abuse， global warming issues， deforestation， how animals are treated in meat factories， and so on. I expose the selfishness of the human race when it comes to the lives of animals within my work. Humans will always put themselves first without a thought of how it will impact other innocent lives around them. In this specific piece， I am showing how some people treat animals they own by starvation， neglect， and abuse.
创作阐明：
我的权衡围绕东说念主类如何对寰宇上无辜动物的活命产生负面影响伸开。这包括苛虐、全球变暖问题、森林砍伐、肉类工场如何对待动物等等。在我的作品中，当触及到动物的活命时，裸露了东说念主类的自利。东说念主类老是把我方放在第一位，而莫得议论到这将如何影响周围其他无辜的生命。在这个作品中，我展示了一些东说念主如何通过饥饿、冷酷和苛虐来对待我方的动物。
Title: Extinction of the Blue Macaw | 蓝金刚鹦鹉的衰一火
Name：Alexandrea Bianchi 亚历山德拉·比安奇
Instructor: Ron Netsky
Medium: Gouache 水粉
Date of Completion: 2021
Size: 20in x 22in
Area of Study: Painting 绘画
Creative Idea Behind the Project (Artist Statement):
My Thesis revolves around how humans are impacting the lives of innocent animals negatively in the world . This includes abuse ， global warming issues ， deforestation ， how animals are treated in meat factories ， and so on . I expose the selfishness of the human race when it comes to the lives of animals within my work . Humans will always put themselves first without a thought of how it will impact other innocent lives around them . The blue Macaw was a beautiful tropical bird who unfortunately is now extinct . If we keep treating wildlife the way we do ， we wil keep losing animals just as beautiful and innocent as this one .
创作阐明：
我的权衡围绕东说念主类如何对寰宇上无辜动物的活命产生负面影响伸开。这包括苛虐、全球变暖问题、森林砍伐、肉类工场如何对待动物等等。在我的作品中，当触及到动物的活命时，裸露了东说念主类的自利。东说念主类老是把我方放在第一位，而莫得议论到这将如何影响周围其他无辜的生命。蓝金刚鹦鹉是一种娇娆的热带鸟类，不幸的是现在照旧衰一火。如果咱们不竭以这么的方式对待野活泼物，咱们将不竭失去像这么娇娆和无辜的动物。
ART APPRECIATIO
———— 作 品 欣 赏 ————
山 东 财 经 大 学
好意思/术/学
作品称呼：定风云 | Staedy Storm
作家：贺紫泽 He Zize
指导西宾：杨宁 Yang Ning
材质：纸本 paper
创作时刻：2022 年 4 月 12 日 April 12，2022
尺寸：180×49（cm）
作品分类：书道 calligraphy
创作阐明：
篆书；内容是苏轼的《定风云·莫听穿林打叶声》；莫听穿林打叶声，何妨吟啸且徐行。竹杖草鞋轻胜马，谁怕？一蓑烟雨任平生。料峭春风吹酒醒，微冷，山头斜照却相迎，总结向来陌生处，归去，也无风雨也无晴。
Description:
The content is Su Shi's " Calming the Waves "; Listen not to the rain beating against the trees.Why don’t you slowly walk and chant at ease?Better than saddled horse I like sandals and cane.O I would fainSpend a straw-cloaked life in mist and rain.Drunken， I’m sobered by vernal wind shrillAnd rather chill.In front I see the slanting sun atop the hill;Turning my head， I see the dreary beaten track.Let me go back!Impervious to wind， rain or shine， I’ll have my will.
作品称呼：花与鸟 | Flowers And Birds
作家：许芷硕 Xu Zhishuo
指导西宾：杨宁 Yang Ning
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：138×68（cm）
作品分类：中国画 Chinese paintings
创作阐明：
花与鸟是中国画的传统题材， 我沿用了这一题材进行创作，将花、鸟和谐地融入画面，在配色上，也选拔了传统的朱砂、藤黄、三绿，使画面古朴当然、宁静平静。
Description:
Flowers and birds are the traditional theme of Chinese painting， which I use for creation， blending flowers and birds into the picture harmoniously. In terms of color matching， I also choose the traditional cinnabar， garcinia and three greens， making the picture simple， natural and serene.
作品称呼：依依向物华 | Longing for spring
作家：刘佳 Liu Jia
指导西宾：石以品 Shi Yipin
材质：纸本 paper
创作时刻：2022 年 3 月 March，2022
尺寸：45×34×8（cm）
作品分类：中国画 Chinese paintings
创作阐明：
此画作应用工笔绘画的创作方式描写景物，每幅大小为四尺六开，共八幅。作品的设色较为秀好意思亮堂，多为描写花卉以及虫豸和鸟类等生物，肤浅生趣。
Description:
The painting is in the style of a brush painting， each measuring 34*45cm， making eight panels in total. The colour palette is bright and vibrant， and the paintings are simple and interesting， depicting mostly flowers and plants， as well as insects and birds and other creatures.
作品称呼：古唐诗三首 | Three ancient Tang poems
作家：种浩文 Zhong Haowen
指导西宾：石以品 Shi Yipin
材质：纸本 paper
创作时刻：2022 年 3 月 March 3，2022
尺寸：138×69（cm）
作品分类：书道 calligraphy
创作阐明：
书道为楷书。内容按规章分辩为唐代现实主义诗东说念主杜甫所作《客至》、唐代隆起诗东说念主杜牧所作《秋夕》，及杜甫诗作《水槛遣心(其一)》。
Description:
The calligraphy is regular script. The contents are， in order， "Guest Arrival" by the Tang Dynasty realist poet Du Fu， "Autumn Evening" by the outstanding Tang Dynasty poet Du Mu， and Du Fu's poem " Relaxation at the Water Threshold (Part 1)".
作品称呼：小窗幽记节选 | Seal script Sketches by the Little Window
作家：李新宇 Li Xinyu
指导西宾：高远 Gao Yuan
材质：纸本 paper
创作时刻：2022 年 3 月 March，2022
尺寸：180×96（cm）
作品分类：书道 calligraphy
创作阐明：
风笙龙管，蜀锦皆纨。木香开放，把杯独坐其下，遥令青奴吹笛，止留一小奚侍酒，才少权衡便退，立迎春架后。花看半开，酒饮微醉。夜来月下卧醒，花影错杂，满东说念主襟袖，疑如濯魄于冰壶。看花步须眉当作女东说念主。
Description:
When the wood fragrance is in full bloom， he sits alone under the cup and orders the green slave to play the flute. He stops waiting for a attendant to serve the wine. Only after less consideration， he retreats and stands behind the spring greeting frame. The flowers are half open， and the person is slightly drunk. When I wake up at night under the moon， the shadow of flowers is messy and full of people's sleeves. I doubt it is like washing my soul in a curler. Look at a man as a woman.
作品称呼：寒山云谷图 | Yunshan Cold Valley
作家：张辰腾 Liu Huixin
指导西宾：宋述林 Song Shulin
材质：纸本 paper
创作时刻：2022 年 3 月 March，2022
尺寸：144×56（cm）
作品分类：中国画 Chinese paintings
创作阐明：
此图取高远之景，草木陌生，深山冬日荒寒，深谷深奥，树木兀立，枝权横生，树叶凋零，似到深秋或穷冬季节
Description:
This picture takes the high scenery， bleak vegetation， remote mountains in cold winter， deep valley， standing trees， branches， leaves withered， which looks like late autumn or mid-winter.
作品称呼：山居秋暝 | An Autumn Evening In The Mountains
作家：李丁平 Li Dingping
指导西宾：杨宁 Yang Ning
材质：纸本 paper
创作时刻：2022 年 3 月 March，2022
尺寸：138×68（cm）
作品分类：书道 calligraphy
创作阐明：
书道为楷书偏魏碑。书写内容为：空山新雨后，天气晚来秋。明月松间照，清泉石奥秘。竹喧归浣女，莲动下渔舟。收缩春芳歇，天孙自可留。
Description:
AN AUTUMN EVENING IN THE MOUNTAINS After rain the empty mountainStands autumnal in the evening，Moonlight in its groves of pine，Stones of crystal in its brooks.Bamboos whisper of washer-girls bound home，Lotus-leaves yield before a fisher-boat --And what does it matter that springtime has gone，While you are here，O Prince of Friends?
作品称呼：春山森林图 | Jungle in Spring mountain
作家：张宇轩 Zhang Yuxuan
指导西宾：李峰 Li Feng
材质：纸本 paper
创作时刻：2022 年 3 月 March，2022
尺寸：180×97（cm）
作品分类：中国画 Chinese paintings
创作阐明：
在元代文东说念主多以画自娱， 中国文东说念主画成为元代画坛主流，而史称“元四家”的黄公望、吴镇、倪瓒、王蒙的山水画设立最为特出，该画应用古法描写春山之景以抒发对元四家之敬
Description:
In the Yuan Dynasty， literati mostly entertained themselves by painting， and Chinese literati painting became the mainstream in the Yuan Dynasty. The achievements of landscape painting of Huang Gongwang， Wuzhen， Ni Zan and Wang Meng， who were known as the "four schools of Yuan"， were the most prominent. The painting used the ancient method to depict the scenery of spring mountain to express their respect for the four schools of yuan.
作品称呼：荷池仕女图 | Lady Lotus Pond
作家：陈张毅 Chen Zhangyi
指导西宾：李峰 Li Feng
材质：纸本 paper
创作时刻：2022 年 3 月 March 3，2022
尺寸：160×96（cm）
作品分类：中国画 Chinese paintings
创作阐明：
毕业创作的灵感开始于咫尺的环境，但愿东说念主与当然之间的共愈加融洽。作品鉴戒了何家英敦厚的线条，着色上受到了王希孟的《沉山河图》的启发。
Description:
Inspired by today’s environment， I hope the coexistence between human and nature will be more harmonious. Drawing on He Jiaying’s lines， the painting is colored after Wang Ximeng’s painting of A Panorama of Rivers and Mountains.
作品称呼：秋 | Autumn
作家：李春蕾 Li Chunlei
指导西宾：王志勇 Wang Zhiyong
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：90×50（cm）
作品分类：中国画 Chinese paintings
创作阐明：
作品为工笔花鸟，绘荷花水草从中的两只鹭鸶，一耸峙休憩，一斜蹲欲飞，荷叶荷混名义平滑且均匀，创作出梦想化的外不雅。
Description:
The work is a exquisite brush flower-and-bird painting， in which there are two herons in the lotus water weed， one standing to rest and one crouching to fly. The surface of lotus leaf and lotus is smooth and uniform， creating an idealized appearance.
作品称呼：素心依依 | My modest heart
作家：肖冰 Xiao Bing
指导西宾：石以品 Shi Yipin
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：138×68（cm）
作品分类：中国画 Chinese paintings
创作阐明：
岁月若水，走过，才知浅深；生命如歌，唱响，方品心音。我静守岁月，用淡墨点染满意的一角，念念绪衍生在笔尖中，心染清香，情着素锦，淡静若水，静默如花，清清淡淡，静雅一方，不忘来路，始知归处。启发。
Description:
Ages are flowing like water. You understand its depth just by walking through it. Life is a song， I taste its voice by singing it. I was watching the ages quietly and painting a corner of my heart with light ink， having my thoughts gather together in the tip of my brush. My heart is dyed with faint fragrance and covered with plain brocade， as quiet as water， as silent as blossoms， clear and shallow， tranquil and elegant. I know where to go by knowing where I came from.
作品称呼：篆书 晏殊 浣溪沙 | Seal script Yan Shu Huan Xi Sha
作家：王婧瑄 Wang Jingxuan
指导西宾：王志勇 Wang Zhiyong
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：180×49（cm）
作品分类：书道 calligraphy
创作阐明：
书道为篆体。书写内容为：一曲新词酒一杯，客岁天气旧亭台。夕阳西下几时回？孤掌难鸣花落去，似曾相识燕归来。小园香径独踯躅。
Description:
The calligraphy is in seal script and referred to a poem of Yan Shu who was a famous official and poet in Song dynasty. The poem describes a scenery of beautiful garden in where the poet was drinking alone and missing his old friends.
作品称呼：红珠斗帐樱桃熟，金尾屏风孔雀闲 | Peacock with screen and cherries
作家：杜延红 Du Yanhong
指导西宾：李峰 Li Feng
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：100×50（cm）
作品分类：中国画 Chinese paintings
创作阐明：
此幅作品是我在写对于刘奎龄先生的论文时，对他的作品进行分析时受到的启发。此幅作品利用空间大小的对比特出孔雀这一主题，又利用植物元素的穿插使得局部宽裕变化，使合座不会过于单调拘泥，使合座看上去愈加的具有真谛性。
Description:
This piece of work was inspired by the analysis of Liu Kuiling’s paintings during my thesis writing. This work uses the contrast of space and size to highlight the theme of the peacock， and uses the interspersed plant elements to make the part rich in changes， so that the whole will not be too monotonous and rigid， making the work looks more interesting.
作品称呼：再见了芳华 | Goodbye Youth
作家：卢俊锡 Lu Junxi
指导西宾：宋述林 Song Shulin
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：180×48（cm）
作品分类：书道 calligraphy
创作阐明：
大字出自颜真卿《多浮图碑》中的楷书，内容为唐代王维的《送元二使安西》。小字出自智永《行草千字文》中的行书，内容为现代歌手曹轩宾《别君叹》的歌词与本东说念主的题跋。本作品想抒发对过往之“友”和“也曾单纯的我方”的送别之情。
Description:
The larger character’s style refers to Tang calligrapher Yan Zhenqing’s regular script work “Inscription of Duobao tower”， and the content comes from "Bidding Farewell to Yuan Er on Diplomatic Mission to Anxi “ which written by Tang poet Wang Wei. The Smaller character’s style refers to Tang calligrapher Zhi Yong’s work， and the content comes from the lyric of “Sigh for seeing you off” which composed by contemporary singer Cao Xuanbin， with my postscript added on. I willing to express an emotion of bidding farewell to my past "friends" and the "ever naive me".
作品称呼：《篆书非草书》 | Critique of the cursive script
作家：李倩倩 Li Qianqian
指导西宾：高远 Gao Yuan
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：178×97（cm）
作品分类：书道 calligraphy
创作阐明：
余郡士有梁孔达。姜孟颖，皆当世之彦哲也，然慕张生之草书过于希孔、颜焉。孔达写书以示孟颖，皆口诵其文，手楷其篇，无怠倦焉。于是后学之徒竞慕二贤，中令作局，东说念主撰一卷。以为秘玩。余惧其背经而趋俗
Description:
The calligraphy is in seal script and excerpted from the article "Critique of the cursive script" of Zhao Yi who lived in Han dynasty and was good at writing poems and criticizing contemporary issues.
作品称呼：隶书·杜甫闻官军收河南河北 | Recapture of the Regions North and South of the Yellow River
作家：姜冰 Jiang Bing
指导西宾：高远 Gao Yuan
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：150×70（cm）
作品分类：书道 calligraphy
创作阐明：
书道为隶书。书写内容为：剑外忽传收蓟北，初闻涕泪满穿戴。却看浑家愁安在，漫卷诗书喜欲狂。鹤披发歌须纵酒，芳华作伴好还乡。即从巴峡穿巫峡，便下襄阳向洛阳。
Description:
The calligraphy is in chancery script. The translation of this poem as follow:Tis said that the Northern Gate is recaptured of late;When the news reached my ears， my gown was wet with tears.Staring at my wife’s face， of grief I find no trace;Rolling up my verse books， my joy like madness looks.Though I am white-haired， still I’d sing and drink my fill.With verdure spring’s aglow， it’s time we homeward go.We shall sail all the way through Three Gorges in a day.Going down to Xiangyang， we’ll come up to Luoyang.
作品称呼：春晓图 | Morning In Spring
作家：刘慧鑫 Liu Huixin
指导西宾：杨宁 Yang Ning
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：132×58（cm）
作品分类：中国画 Chinese paintings
创作阐明：
此幅作品为工笔花鸟画，描写的是春天清晨双鹊飞翔在樱花树枝中走头无路的称心，展现出春日万物的勃勃生机，感受春天的到来，令东说念主如沐春风。春无思路谁知？除非问取黄鹂。百啭无东说念主能解，因风飞过蔷薇。
Description:
This work is a flowers and birds painting in realistic style， depicting a spring scene of two magpies flying in the branches of a cherry tree in a spring morning， showing the vitality of everything in spring and soft spring breeze.
作品称呼：一只猫 | A Cat
作家：荣彦旭 Rong Yanxu
指导西宾：石以品 Shi Yipin
材质：纸本 paper
创作时刻：2022 年 4 月 April，2022
尺寸：180×95（cm）
作品分类：中国画 Chinese paintings
创作阐明：
此画构图为 C构图，画法白描，画中的猫式样落寞，脸色复杂，眼睛的低沉弘扬出猫咪身上懒散的忧伤。
Description:
The composition of this painting is in a C shape， and I used lines to draw it. The cat in the painting looks lonely and in a complicated mood， as if there is sadness in the cat’s eyes.
视/觉/传/达/设/计
作品称呼：大学生外交懦弱症东说念主群心理心境插画设想权衡 | Psychological Emotion Illustration Design Of College Students With Social Phobia
作家：王岩炎 Wang Yanyan
指导西宾：范奉存 Fan Fengcun
媒材：亚克力 Acrylic Vacuum Plastic Bags， etc
创作时刻：2022年 3 月 12 日 March 12，2022
尺寸：26×26（cm）
权衡范畴：外交懦弱症系列插画 Social Phobia Illustrations
创作阐明：
此设想主要对大学生外交懦弱症东说念主群心理心境插画进行了权衡，通过插画的花式把 大学生外交懦弱症东说念主群心理心境弘扬出来，画面合座色调偏向于冷色调，以此利用色调 的负面效应来衬托画面的主题念念想 ; 构图经受的故意于受众接受的平行或环形构图 ; 内容偏向于有故事情节性的，不错让受众更容易了解笔者的想法以及阐明画面内涵。并由此对大学生外交懦弱症调节插画的进行了设想，调节插画的内容是温存安宁的境界，故意于涵养大学生积极正向的心理心境，题材采选大当然的以及具有亲和力的形象。临了，笔据此设想衍生出一系列关系文创居品。
Description:
This design mainly studies the psychological emotion of college students' social phobia group illustration， through the form of illustration to show the psychological emotion of college students' social phobia group， the overall color of the picture tends to be cold color， in order to use the negative effect of color to foil the theme of the picture; A parallel or circular composition that is acceptable to the audience; The content tends to have a story plot， which can make it easier for the audience to understand the author's ideas and understand the connotation of the picture. The content of the healing illustration is warm and soothing， which is conducive to guiding the positive psychological emotions of college students. The theme is nature and the image with affinity. Finally， a series of cultural and creative products are derived from this design.
作品称呼：关爱自闭症儿童的插画设想权衡—以星星之名 | Study On The Illustration Design Of Caring For Autistic Children— In The Name Of The Stars
作家：焦世媛 Jiao Shiyuan
指导西宾：江伊诺 Jiang Yinuo
材质：亚克力 Acrylic
创作时刻：2022 年 3 月 12 日 March 12，2022
尺寸：30×21（cm）
权衡范畴：插画设想 Illustration Design
创意阐明：
此设想通过插画的花式来抒发对自闭症儿童的关爱。此设想勾搭画面应用了几种不同的肌理来弘扬，与扁平化的插画设想弘扬手法相勾搭，使画面丰富具有端倪感。画面中合座色调亮堂，从而使合座画面积极进取。勾搭自闭症儿童的特征，选出几样具有代表性的元素，应用到画面当中去。不同元素的互相勾搭应用，来抒发自闭症儿童的内心寰宇。但愿让社会更多东说念主关注了解自闭症儿童，给与他们关爱与保护。
Description:
This design expresses care for autistic children through illustration. This design combines the screen with the use of several different textures to show， and flat illustration design expression techniques combined， so that the screen rich with a sense of hierarchy. The overall tone in the picture is bright， so that the overall picture is positive. Combined with the characteristics of autistic children， select several representative elements and apply them to the picture. Different elements are combined to express the inner world of autistic children. I hope that more people in the society will pay attention to understand autistic children and give them care and protection.
作品称呼：沂蒙布老虎形态翻新设想权衡 | Yimeng Cloth Tiger Shape Innovation Design
作家：胡轶群 Hu Chaoqun
指导西宾：崔敬 Cui Jing
材质：棉质面料 Cotton fabrics
创作时刻：2022 年 3 月 12 日 March 12，2022
尺寸：23.06×17.71（cm）
权衡范畴：IP 文创设想 IP Cultural Design
创作阐明：
传统民间手工艺经过历史长河沉淀，带有浓烈的方位特色及昭着的文化寓意，在此基础上，造型设想、色调搭配、制作工艺等艺术手法亦然越过可圈可点。此设想以沂蒙地区传统手工艺布老虎的文化配景和造型格调作为基础，索求元素、整合归纳，进行形态再翻新。录取沂蒙布老虎最为象征性的三个形象为代表，在原有的造型基础上，迎合现代审好意思潮水，保留其憨态可掬，斗胆夸张的特征，将其无固定例则的搭配体系化，增强其代表性和识别度，并勾搭其中色调与图形设想出辅助图形作方便衍生居品应用，扩展传统布老虎的设想应用，酿成介怀于家装品牌的主要办事于儿童及青少年的具有期间特征和沂蒙民间特色的全新形象。不仅对沂蒙布老虎的权衡提供扩充教会，更是对于中华传统民间文化的秉承和翻新，使其成为新潮水。
Description:
Traditional folk handicrafts have been precipitated through the long history， with strong local characteristics and distinct cultural implications. On this basis， the artistic techniques such as shape design， color collocation and production technology are also quite noteworthy. Based on the cultural background and modeling style of traditional handicraft cloth tiger in Yimeng area， this design extracts elements， integrates and summarizes， and innovates the form again. Selection of river bank Mongolia cloth tiger represented the most symbolic image of three， on the basis of the original shape， cater to the modern aesthetic trend， could retain its innocently， boldly exaggerated features， it has no fixed rules the collocation of systematism， enhance its representative and recognition， and combining the color and graphics design auxiliary graphics as a convenient derivatives application， Extend the design and application of traditional cloth tiger， and form a new image with age characteristics and folk characteristics of Yimeng， which focuses on home decoration brand and serves children and teenagers. It not only provides practical experience for the study of yimeng cloth tiger， but also inherits andinnovates the traditional Chinese folk culture， making it a new trend.
作品称呼：羞于远离 | Too Shy To Say No
作家：朱笑文 Zhu Xiaowen
指导西宾：江伊诺 Jiang Yinuo
材质：胶版印刷 Offset Printing
创作时刻：2022 年 3 月 22 日 March 22，2022
尺寸：42×29.7（cm）
权衡范畴：插画设想 Illustration Design
创意阐明：
本作品以 " 羞于远离”为主题画图插画，插画的构想开始于活命，在活命中咱们有许多不好真谛去远离的事情，以活命中的小事为起点，构念念每一幅画面的主题，作品中主东说念主公被胶带封住了嘴巴，难以远离别东说念主的肯求。本作品致力通过设想来匡助东说念主们缓解心理问题，调治活命压抑等成分弓起的萎靡心境，使东说念主们酿成故意于心理健康的积极心境，从而勇敢作念我方。
Description:
This work draws illustrations with the theme of "Ashamed to refuse". The idea of illustration comes from life. In life， we have a lot of things that we are too embarrassed to refuse. This work is committed to help people relieve psychological problems through design， adjust the negative emotions caused by life depression and other factors， so that people form positive emotions conducive to mental health， so as to be brave to be themselves.
作品称呼：泰山时刻字体再设想 | "Tarzan Carved Stone" Font Redesign
作家：窦桂山 Dou Guishan
指导西宾：范奉存 Fan Fengcun
材质：胶版印刷 Offset Printing
创作时刻：2022 年 4 月 25 日 April 25，2022
尺寸：42×29.7（cm）
权衡范畴：字体设想 Font design
创意阐明：
此设想由《泰山刻石》小篆字体演变而来，我将《泰山刻石》当中的小篆字体与现代的简体勾搭设想出小篆简体，用现代的字体设想寻求传统文化与翻新的契合点，小篆简体的形骸以及线条感合适《泰山刻石》小篆字体的形骸和线条感，在结构、审好意思以及阅读性上又合适了现代字体的性格，这么的设想更易于让《泰山刻石》小篆字体文化在现代社会中传播。在现代社会中小篆简体愈加实用和好意思不雅，小篆简体不错应用在文创包装等方面以达到居品宣传、地域宣传、文化宣传的目的。
Description:
This design by the Mountain Tai burring seal script font evolved， I will seal script font of the Mountain Tai burring combined with modern simplified design simplified， modern font design is used to seek the correspondency of traditional culture and innovation， seal script simplified form and line feeling and conforms to the Mountain Tai burring seal script font form line feeling， In terms of structure， aesthetics and readability， it is in line with the characteristics of modern fonts. Such a design is easier to make the small seal script culture of "Stone Carving in Mountain Tai" spread in modern society. In modern society， small seal style simplified is more practical and beautiful. Small seal style simplified can be used in cultural and creative packaging to achieve the purpose of product publicity， regional publicity and cultural publicity.
作品称呼：新期间郑旺酱菜包装个性化翻新设想与应用 | Zheng Wang Pickles Packaging Personalized Innovative Design
作家：刘永昌 Liu Yongchang
指导西宾：马洪骥 Ma Hongji
材质：胶版印刷 Offset Printing
创作时刻：2022 年 3 月 24 日 March 24，2022
尺寸：10×10×10（cm）
权衡范畴：包装设想 Packaging Design
创意阐明：
在上个世纪郑旺酱菜就坚定被评为亚运会的指假寓品，并多次赢得食物展览会的各式奖项，其作为非物资文化遗产亟需翻新发展与传承，此设想笔据郑旺酱菜居品推行真谛与传统寓意为基本起点，方针用户定位于年青群体，打造苦乐餐伴的新营销理念，以此翻新品牌形象扶植企业影响力。翻新设想勾搭当地风俗文化、新期间流行语，如“柿柿如意、日进斗金、年年有鱼”等立足点进行延申，与此同期进行特色定位的挖掘，打造“妙不成盐”等各异化、个性化居品。另外笔据疫情常态化的社会配景下，翻新其包装花式，镌汰了交叉食用频率，打造为新期间下年青、个性、实用的特色居品。
Description:
Zheng Wang pickles in the last century has been rated as the designated products of the Asian games， and repeated food exposition of the various awards， as an intangible cultural heritage in need of inheritance， innovation and development this design Zheng Wang pickles products based on the actual meaning and moral tradition as the basic starting point， the target user positioning in young group， going to build one meal with new marketing concept， In order to innovate the brand image to enhance the influence of enterprises. Innovative design combined with local customs and culture， new era catchwords. At the same time， the excavation of characteristic positioning， to create "wonderful but not salt" and other differentiated， personalized products. In addition， according to the social background of the epidemic normalization， innovative packaging forms， reduce the frequency of crossconsumption， to create a young， personalized and practical products in the new era.
作品称呼：山东省中病院视觉导视系统设想 | Design Of Visual Guidance System For Shandong Traditional Chinese Medicine Hospital
作家：陈申奥 Chen Shenao
指导西宾：范奉存 Fan Fengcun
材质：亚克力 棉质面料 原木 Acrylic， Dotton， Fabric Log
创作时刻：2022 年 4 月 10 日 April 10，2022
尺寸：240×80（cm）
权衡范畴：导视系统设想 Guide System Design
创意阐明：
通过对山东省中病院现存视觉导视系统的不雅察权衡，发现一系列与国内大部分病院肖似的设想问题，本文就我国复杂医疗设想环境开赴，旨在为山东省中病院设想出方便公共、富关系怀的导视系统，以通过关注医患东说念主群东说念主文需求的导视系统设想，让公共在病院中不错愈加方便地寻找医疗部门的同期感受病院的东说念主文保重，并进一步提高社会关注度，渐渐改善公共对病院冰冷、环境复杂的印象。
Description:
Based hospital in Shandong province， the existing visual guide depending on the system study， found a series of similar design problem to most of domestic hospitals， this article on China's complicated medical environment， the design， aiming at Shandong province hospital designed a convenient mass， rich， caring guide system， in order to pass the focus on doctor-patient crowd humanities demand guide as system design， So that the public can find the medical department in the hospital more conveniently and feel the humanistic care of the hospital， and further enhance the social attention， and gradually improve the public's impression of the cold and complex environment of the hospital.
作品称呼：《我梦中的比邻星》插画及衍生品设想 | The Illustration And Derivative Design Of Proxima Centauri In My Dreams
作家：宋金峰 Song Jinfeng
指导西宾：吴春华 Wu Chunhua
材质：亚克力板 树脂等 Acrylic Board， Resin， etc
创作时刻：2022 年 3 月 12 日 March 12，2022
尺寸：52.6×39.4（cm）
权衡范畴：IP插画设想 IP Illustration Design
创作阐明：
对于东说念主物形象自己过剩的，繁芜的遮蔽，通通去掉，保持精真金不怕火的自身故意于东说念主物后期愈增加主见的创造，正如姑娘凡德罗的成见那样，"Less is more"，屡战俱败。艺术的开始是什么，怎么的艺术又算是好的艺术呢 ? 作品应用了插画，既特出作品东说念主物形象的性格以及外貌性格，将一个个碎屑整合起来， 酿成一套较为圆善的组合体系。设想作品开始于现实又高于现实。动画卡通形象典型化的东说念主物不错很好的特出这一性格。
Description:
For the redundant and complex decoration of the character image itself， all should be removed， and keeping simple is conducive to the creation of the character in more directions in the later period. Just as Mies van der Rohe advocated， "Less is more" should be implemented all the time. What are the sources of art and what is good art? The work uses illustration， which not only highlights the personality and appearance characteristics of the characters in the work， but also integrates the pieces to form a relatively complete combination system. Design works come from reality and higher than reality. Typical characters of cartoon images can well highlight this feature.
作品称呼：动态环保海报设想 | Dynamic Environmental Poster Design
作家：张梦琦 Zhang Mengqi
指导西宾：崔敬 Cui Jing
媒材：亚克力 Acrylic
创作时刻：2022年 3 月 25 日 March 25，2022
尺寸：16×9（cm）
权衡范畴：环保动态设想 Environmental Dynamic Design
创作阐明：
基于环保的动态设想从涵养现代年青东说念主的正确环保不雅念开赴，通过环保视觉设想向年青群体传达环保理念，拉连年青东说念主与环保的距离，唤起年青群体保护环境的遭殃感。
Description:
Dynamic design based on environmental protection starts from guiding the correct concept of environmental protection of contemporary young people， through environmental visual design to convey the concept of environmental protection to young groups， shorten the distance between young people and environmental protection， arouse the responsibility of young groups to protect the environment.
作品称呼：你是谁？插画设想 | Who Are You？
作家：张海冉 Zhang Hairan
指导西宾：江伊诺 Jiang Yinuo
材质：亚克力 铜纸板 Acrylic， Doated Paper
创作时刻：2022 年 4 月 19 日 April 19，2022
尺寸：40×40（cm）
权衡范畴：插画设想 Illustration Design
创作阐明：
该插画是在基于保重阿尔兹海默症东说念主群的主题下，录取了与该病症东说念主群的心理和行径性格邻接近的动物形象来创作的，以拟东说念主的清翠满盈的动物造型，加之童趣调节的绘画设想格调来展现此插画对于阿尔兹海默症东说念主群的保重与调节。
Description:
The illustration is based on the theme of the alzheimer's care people， chosen and the psychological and behavior characteristics of the disease population close to create the animal image， in the personification of its full， combined with the tong qu cure painting design style to show the illustration for alzheimer's care and cure by the crowd.
作品称呼：中国风口罩 | Chinese-style Masks
作家：曹广超 Cao Guangchao
指导西宾：江伊诺 Jiang Yinuo
材质：纳米级熔喷布 纯棉 纳米级回弹棉布 蚕丝 双面弹性古道布 Nano-level Melt-blown Cloth， Pure Cotton ， Nano-level Rebound Cotton Cloth， Silk， Double-sided Elastic Knitted Cloth， etc
创作时刻：2022 年 3 月 16 日 March 16，2022
尺寸：22×12（cm）
权衡范畴：口罩设想 Mask Design
创意阐明：
对中国风元素在口罩设想中，通过对中国传统纹样、京剧戏曲元素、民族元素、梅兰竹菊元素、宫廷元素，从不同的结构、材质、画面主见，色和洽物体归纳 总结出口罩项目的设想元素的性格。接着对以上的权衡进行中国风口罩设想元素提真金不怕火，分析出口罩设想中的色和洽图像进行翻新。加入中国风的口罩相较于传统的口罩迎合了年青阛阓更具上风。
Description:
In mask design， the characteristics of mask design elements are summarized from different structures， materials， picture directions， colors and objects through traditional Chinese patterns， elements of Peking Opera， ethnic elements， elements of plum， orchid， bamboo and chrysanthemum， and palace elements. Then， the above research is carried out to extract the design elements of Chinese-style masks and analyze the colors and images in mask design for innovation. Masks incorporating the Chinese style have an advantage over traditional masks catering to the younger market.
作品称呼：《空梦》插画设想 | An Empty Dream
作家：刘运凯 Liu Yunkai
指导西宾：范奉存 Fan Fengcun
材质：胶版印刷 Offset Printing
创作时刻：2022 年 3 月 24 日 March 24，2022
尺寸：64×30（cm）
权衡范畴：插画设想 Illustration Design
创意阐明：
《空梦》经受中国外传故事与二十四气节为创作灵感，通过对中国外传故事和二十四气节整理分析，归纳总结出其中不错互相和会的元素，再经以故事编写，最终酿成的插画作品。通过对其在插画设想起到作用的分析 ， 探寻出这些元素与咱们今天的插画格调的某种契合点 ， 使达到了愈加深端倪上的和会创造。扎根于中国传统文化，勾搭现代插画技法。使其更合适现代审好意思，更好的宣扬中国传统文化。
Description:
"Empty Dream" uses Chinese myth stories and the 24 solar terms as the creation inspiration. Through sorting and analysis of Chinese myth stories and the 24 solar terms， it summarizes the elements that can be integrated with each other， and then it is written with stories and finally forms an illustration work. Through the analysis of its role in the design of illustration， we find out some point of convergence between these elements and our illustration style today， so as to achieve a deeper integration of creation. Rooted in traditional Chinese culture， combined with modern illustration techniques. Make it more in line with modern aesthetics， better promoteChinese traditional culture.
作品称呼：董仲舒IP形象及系列设想 | Dong Zhongshu IP Image Design
作家：王世琦 Wang Shiqi
指导西宾：吴春华 Wu Chunhua
媒材：棉质面料 Cotton Fabrics Creation
创作时刻：2022年 3 月 20 日 March 20， 2022
尺寸：82×55（cm）
权衡范畴：IP文旅设想 Cultural Tourism IP Design
创作阐明：
合座设想聚积文东说念主设想理念，作为一代大儒，东说念主物形象镇定大气，具有儒雅的性格基于此IP形象经受蓝色为主色调，面部采选肉色贴合推行。头中设想意为突显文东说念主形象，面部萌化、卡通画处置更能拉进旅客尤其是青少年的距离，消解晦涩的传统文化带来的阻力和距离感。衣服设想采选汉服，手中持着竹简，愈加合适儒家的体裁气味。
Description:
The overall design runs through the design concept of literati. As a great scholar of the generation， the figure image is calm and atmospheric， with the characteristics of elegance. Based on this IP image， blue is the main color， and the face is flesh color， which fits the reality. The design of the scarf is intended to highlight the image of literati. The cute face and cartoon processing can draw tourists， especially teenagers， into the distance， and eliminate the resistance and sense of distance caused by obscure traditional culture. The design of the clothes is Han Chinese Clothing， with bamboo slips in hand， which is more in line with the literary atmosphere of Confucianism.
作品称呼：时语·失语 | Fade Away Utterance
作家：司佩祺 Si Peiqi
指导西宾：蓝天娇 Lan Tianjiao
媒材：亚克力 胶版印刷 丝网印刷 Acrylic， Offset Printing ，Screen Printing
创作时刻：2022 年 3 月 12 日 March 12， 2022
尺寸：80×60（cm）
权衡范畴：详细设想 Integrated Design
创作阐明：
互联网发展，让东说念主们处在现实寰宇与聚集造谣寰宇之中。聚集与现实活命的深度耦合，使东说念主们的来往方式由原来的线下“面对面”更正为线上“绚丽对绚丽”。但同期聚集与现实的关系正在失衡，科技正在重新界定个东说念主和通盘社会之间的互动关系，其中就包括相易的真谛。本设想以聚集语“异化”所激勉的“笔墨失语”为配景，通过视觉实验的方式对其常识的逻辑性进行梳理，其演变进程的视觉弘扬性进行尝试，从而得出其信息可视化的常识逻辑与视觉弘扬的最优解。
Description:
With the development of the Internet， people live in the real world and the virtual world. The deep coupling between the Internet and real life has transformed people's way of communication from offline "face to face" to online "symbol to symbol". But at the same time， the relationship between the Internet and reality is unbalanced， and technology is redefining the interaction between individuals and the whole society， including the meaning of communication. This design takes the "text aphasia" caused by the "alienation" of network language as the background. Through the way of visual experiment， the logicality of its knowledge is sorted out， and the visual representation of its evolution process is tried， so as to obtain the optimal solution of the knowledge logic and visual representation of its information visualization.
作品称呼：“清”朗天际 | "Clear" space
作家：杨庆升 Yang Qingsheng
指导西宾：江伊诺 Jiang Yinuo
媒材：胶版印刷 Offset Printing
创作时刻：2022年 3 月 20 日 March 20，2022
尺寸：56×40（cm）
权衡范畴：插画设想 Illustration
创作阐明：
《“清”朗天际》系列插画刻画的内容为天际垃圾的景况。通过对比浓烈色调的碰撞、弘扬速率的线条等。以赛博一又克的艺术格调来弘扬天际垃圾。天际垃圾还有落空，错杂等性格。是以还勾搭了抽象和故障艺术的手法来处置画面。色调以红蓝绿三色为主，将它们进行重合相通错位使画面呈现一种凌乱而有序的矛盾好意思。《“清”朗天际》系列插画创作的目的是但愿东说念主们多一些对天际环境的关注与了解。
Description:
"Clear" Space series of illustrations describes the state of space junk. Through the contrast of strong color collision， express the speed of the line and so on. Space junk in the cyberpunk art style. Space junk is also broken， messy and other characteristics. Therefore， it also combines abstract and fault art techniques to deal with the picture. The colors are mainly red， blue and green. Superposition and dislocation of them make the picture show a messy and orderly contradiction beauty. The purpose of "Clear" Space series of illustrations is to hope people to pay more attention to and understand the space environment.
作品称呼：有氧通顺对肌肉组织测验的可视化设想 - 以乒乓球，拍浮为例 | Visual Design Of Aerobic Exercise To Muscle Tissue Exercise—Taking Table Tennis And Swimming As Examples
作家：王菡 Wang Hang
指导西宾：范奉存 Fan Fengcun
媒材：亚克力 Acrylic
创作时刻：2022 年 3 月 22 日 March 22，2022
尺寸：29.7×21（cm）
权衡范畴：信息图表设想 Infographic Design
创作阐明：
该设想主如果体育通顺与艺术设想相勾搭，通过平面信息图表的方式，直不雅展现出乒乓球，游戏这两项通顺对东说念主体各个部位和肉体机能的影响，使东说念主们愈加长远了解通顺，也积极反映由国度建议的“全民健身”的通顺方针。该信息图表领先从视觉上眩惑公共，从而涵养东说念主们长远阅读，了解乒乓球，拍浮通顺对肉体的影响，以达到强身健体的作用。
Description:
The design is mainly a combination of sports and art design， through the way of graphic information chart， intuitive display of table tennis， games these two sports on each part of the human body and physical function of the impact， so that people have a deeper understanding of sports， but also actively respond to the national proposed "national fitness" sports policy. The infographic first visually appeals to the public， so as to guide people to read deeply and understand the impact of table tennis and swimming on the body， so as to achieve the role of physical fitness.
作品称呼：视觉健康科学图系设想权衡 | Graphic Design For Visual Health Science
作家：袁艺文 Yuan Yiwen
文轩 探花指导西宾：袁硕 Yuan Shuo
媒材：亚克力 Acrylic
创作时刻：2022年 3 月 12 日 March 12，2022
尺寸：40×40（cm）
权衡范畴：图系设想 Figure System Design
创作阐明：
视觉健康科学图系设想是面向的东说念主们所不甚了解的常识体系，因此时时化和公共化是设想的必要特征，此设想设想元素索求自眼光表和色盲图，通过无数的图形进行规律感胪列，画面应用高斯疏漏将设想的作品进行一个疏漏化，酿成近视东说念主群所看到的式样，制造出一种动态画面，在色调选拔中，无数应用明度较高的神色，进而产生近视的疏漏景况和色盲的神色混乱进行调停。
Description:
Visual health science figure system design is geared to the needs of the people do not know much knowledge system， so the popularization and popularization are the necessary characteristics of the design， the design design elements extracted from eye chart and color blindness figure， sense of order arrangement through a lot of graphics and images using a gaussian blur will design a blur， works of the formation of myopia people can see， Create a dynamic picture， in the color selection， a large number of high lightness of the color， and then produce the fuzzy state of myopia and color confusion of color blindness.
作品称呼：基于芳华期留守儿童的情感交互系统设想 | Research On Affective Interaction System Design Based On Adolescent Left - behind Children
作家：王雪 Wang Xue
指导西宾：蓝天娇 Lan Tianjiao
媒材：亚克力 Acrylic
创作时刻：2022 年 4 月 8 日 April 8，2022
尺寸：30×20（cm）
权衡范畴：系统设想 The System Design
创作阐明：
12—16 岁处于芳华期的留守儿童开动领有寂寥意志，追求自我，对外界展现出更多的意思意思心，同期濒临着芳华期的情感和心理问题。在这一时期的留守儿童，家庭的关爱依旧进军，关联词照旧不是唯独，此时，学校的正确阐明以及社会匡助也尤为进军。因此，笔者致力于以情感化为输出点，探索并建议助力该群体已毕“精确关爱”的可行性方式，以颖悟终局调停APP 的交互系统作为载体进行设想扩充，建立一个新的情感交互系统—“芳华驿站”品牌，匡助处于芳华期的留守儿童与家、校、社会进行双向情感交流。
Description:
Left-behind children at the age of 12 to 16 begin to have a sense of independence， pursue themselves， show more curiosity to the outside world， and face emotional and psychological problems in adolescence. For left-behind children in this period， family care is still important， but it is not the only one. At this time， correct school education and social help are also particularly important. ， therefore， the author devotes to emotion into dots， explore and put forward the power of this group implement the feasibility of the "precision caring about" approach， with APP interaction system of intelligent terminal as carrier to carry on the design practice， set up a new emotional interaction system - "youth post" brand， to help adolescent leftbehind children and family， school and society totwo-way communication.
作品称呼：《与线相生》棒槌花边身手视觉设想 | Living With Thread Visual Design Of Mallet Lace Technique
作家：盛雅婷 Sheng Yating
指导西宾：郎雯 Lang Wen
材质：棉质面料 胶版印刷 Acrylic Vacuum Plastic Bags ， etc
创作时刻：2022 年 3 月 20 日 March 20，2022
尺寸：30×30（cm）
权衡范畴：IP 文创设想 IP Cultural Design
创作阐明：
《与线相生》设想称呼源于“以线组成万物”，意味着不停更新延续，聚积恒久。棒槌花边主如果用棒槌将棉线进行绞、钩、拉等技法编织而成，而花边主如果由“线”组成，是以本设想以“线”为主要灵感开始。在对烟台栖霞进行实地调研后，索求了与花边联系的宽绰元素，举例“棒槌”、“线”、“花边斑纹”等，对其进行创意性设想。
Description:
The design name of "Living with Line" originates from "making everything with line"， which means continuous renewal and continuity throughout. Mallet lace is mainly woven with mallet to twist， hook， pull and other techniques， and lace is mainly composed of "line"， so this design to "line" as the main source of inspiration. After a field survey of Yantai Qixia， we extracted many elements related to lace， such as "sticks"， "lines" and "lacy patterns"， and carried out creative design for them.
作品称呼：基于菏泽印象的儿童插画及衍生设想权衡 | Research On Children’s Illustration And Derivative Design Based On Heze Impression
作家：崔祎 Cui Yi
指导西宾：马熙逵 Ma Xikui
媒材：丝网印刷 Silk - Screen Printing
创作时刻：2022 年 3 月 15 日 March 15，2022
尺寸：43×22（cm）
权衡范畴：儿童插画及衍生设想权衡 Children’s Illustration and Derivative Design
创作阐明：
经受儿童插画花式伸开系列性视觉设想权衡，通过对菏泽地域文化进行长远的分析挖掘，并精致围绕“儿童插画”与“传统文化”两大板块进行设想，通过对儿童插画国表里发展近况和菏泽地域文化分析，在造型色调上进行设想，绘画出这一组名为“小泽记”的儿童插画，并对该组儿童插画进行衍生设想权衡，以达到拉近儿童与地域文化的接洽进而增强文化自信的目的。
Description:
In the form of children's illustration series visual design research， through the analysis of heze regional culture indepth excavation， and closely around the "illustrations for children" and "traditional culture" two plates to carry on the design， through the illustrations for children development present situation at home and abroad and the analysis of regional culture of heze， on modelling colour design， painting out of this group is called "Mr Ozawa's" children's illustrations， And the derivative design research of the children's illustrations is carried out in order to achieve the purpose of shortening the connectionbetween children and regional culture and thus enhancing cultural confidence.
作品称呼：从济南到伦敦地铁夸耀动态视觉识别设想 | Dynamic Visual Identification Design From Jinan To London
作家：韩雅唯 Han Yawei
指导西宾：袁硕 Yuan Shuo
材质：动画播放 The Flash
创作时刻：2022 年 4 月 12 日 April 12，2022
尺寸：1920×1080（px）
权衡范畴：动态视觉识别设想 Dynamic Visual Recognition Design
创意阐明：
该动态视觉识别设想经受动态化的方式弘扬现代最受接待的交通方式之一地铁，并权衡地铁在济南和伦敦两座城市中的夸耀设想，文化和艺术形态。同期展示了两城地铁夸耀的发展，并勾搭了笔者对两城建筑艺术的阐明。笔者主要使用扁平插画格调去设想并画图了从济南到伦敦的地铁和城市元素，应用丰富的色调抒发酿成了较强的视觉冲击力效力，临了再用更具有真谛性的动画方式呈现出来。
Description:
The dynamic visual identification design uses a dynamic approach to represent the subway， one of the most popular modes of transportation in the contemporary world， and studies the line design， culture and art forms of the subway in Jinan and London. It also shows the development of subway lines in the two cities and combines the author's understanding of the architectural art in the two cities. The author mainly uses flat illustration style to design and draw the subway and urban elements from Jinan to London， and uses rich color expression to form a strong visual impact effect， and finally presents them in a more interesting animation way
好意思 国 拿 撒 勒 大 学
Title: Overgrown | 膨大
Name：Larissa Hankey 拉里萨·汉基
Instructor: Ron Netsky
Medium: Acrylic 丙烯
Date of Completion:11/5/ 2021
Size: 3.5ft x 7ft
Area of Study: Painting 绘画
Creative Idea Behind the Project (Artist Statement):
Life finds a way; nature will reclaim. I work in a variety of mediums but mainly create acrylic paintings， ceramic sculptures， and dance films to portray my message. Inspired by my travels to Brazil and Italy， historical ruins， and life experience I explore different ways in which nature takes back what it once had. I strive to combine my love for the outdoors and architecture in a cohesive manner， which typically involves trees， vines， and other greenery seeping its way into buildings and other manmade objects. My work comments on the perseverance of nature which can result in both beauty and destruction.
创作阐明：
活命找到了一条路；当然会收复的。我在各式弁言中进行创作，但主要创作丙烯画、陶瓷雕饰和跳舞电影来抒发我的信息。受巴西和意大利之旅、历史行状和活命履历的启发，我探索了大当然夺回也曾领有的东西的不同方式。我力图将我对户外的深爱与建筑情投意合，这时时触及树木、藤蔓和其他绿色植物渗入到建筑和其他东说念主造物体中。我的作品接洽了大当然的不服不挠，这会导致娇娆和松手。
Title: Invaded | 骚扰
Name：Larissa Hankey 拉里萨·汉基
Instructor: Ron Netsky and Stefan Zoller
Medium: Acrylic 丙烯
Date of Completion:11/5/ 2021
Size: 3.5ft x 7ft
Area of Study: Painting 绘画
Creative Idea Behind the Project (Artist Statement):
Life finds a way; nature will reclaim. I work in a variety of mediums but mainly create acrylic paintings， ceramic sculptures， and dance films to portray my message. Inspired by my travels to Brazil and Italy， historical ruins， and life experience I explore different ways in which nature takes back what it once had. I strive to combine my love for the outdoors and architecture in a cohesive manner， which typically involves trees， vines， and other greenery seeping its way into buildings and other manmade objects. My work comments on the perseverance of nature which can result in both beauty and destruction.
创作阐明：
活命找到了一条路；当然会收复的。我在各式弁言中进行创作，但主要创作丙烯画、陶瓷雕饰和跳舞电影来抒发我的信息。受巴西和意大利之旅、历史行状和活命履历的启发，我探索了大当然夺回也曾领有的东西的不同方式。我力图将我对户外的深爱与建筑情投意合，这时时触及树木、藤蔓和其他绿色植物渗入到建筑和其他东说念主造物体中。我的作品接洽了大当然的不服不挠，这会导致娇娆和松手。
Title: Short Stories Book Cover Series | 短篇演义封面系列
Name：Megan Ruffalo 梅根·鲁法洛
Instructor: Steve Wehner
Medium: Digital (Photoshop， InDesign， and Procreate) 数字设想
Date of Completion: 10 / 2 /2021
Size: 17in x 11in
Area of Study: Graphic Design 平面设想
Creative Idea Behind the Project (Artist Statement):
Short stories often receive very boring or drab book covers . So ， I wanted to give some of my favorite short stories a new life with some fresh ， thoughtful book jacket designs . Each cover has a typography - focused design using my own hand - drawn type .
创作阐明：
短篇演义的封面时时相当无聊乏味。是以，我想用一些新鲜、长远的书套设想，给我最心爱的短篇演义注入新的活力。每个封面都有一个以排版为主的设想，使用我我方的手绘字体。
Title: Ruffink Logo Design Ruffink | 标志设想
Name：Megan Ruffalo 梅根·鲁法洛
Instructor: Steve Wehner
Medium: Digital (Adobe Illustrator) 数字设想
Date of Completion: 12 / 3 /2021
Size: 17in x 11in
Area of Study: Graphic Design 平面设想
Creative Idea Behind the Project (Artist Statement):
There is something really special about connecting with someone through hand - written notes ， be it in letters ， cards ， or passed notes . For yeas Ihave made cards to give to my family and friends on special occasions ( or sometimes just because ). Iadore good ol ' fashioned snail mail ， and so ， I created the branding for a fictitious stationary company caled Ruffink 一“ Ruff ' as in the first four letters of my last name and “ ink ” as in the ink used to write or draw ， but also a fun play on “ inc ” as in “ incorporated .” Ruffink creates unique ， hand - illustrated greeting cards and other paper goods and believes that everyone should send more letters .
创作阐明：
通过手写的条记与东说念主交流确实很至极，不管是信件、卡片还是传递的条记。多年来，我一直在制作卡片，以便在荒谬场所（或随机仅仅因为这么）送给家东说念主和一又友。我心爱旧式的蜗牛邮件，因此，我为一家虚构的文具公司创建了品牌，名为 Rufink ，＂ Ruf ＂是我姓氏的前四个字母，＂ ink ＂是用来书写或绘画的墨水，亦然对“ incorporated ”中" inc ＂的兴味施展。Rufink 创建了特有的手绘贺卡和其他纸质居品，并以为每个东说念主都应该发送更多的信件。
Title: Treasure Me， Play | 看重我，玩儿吧
Name：Mirabelle Sprinkle 米拉贝尔·斯普林
Instructor: Holland Houdek
Medium: Brass， Copper， Wood， Polymer Clay 黄铜、铜、木料、团聚物粘土
Date of Completion: March 3，2022
Size: Dimensions vary 尺寸各不不异
Area of Study: Metals 金属
Creative Idea Behind the Project (Artist Statement):
There is a time to be serious. And there is a time to play. This interactive piece—a fusion of nostalgic childlike games—can be a reminder that we ought not to lose our sense of playfulness.
创作阐明：
现在是追究对待的时候了。还随机刻玩。这一互动作品和会了怀旧的童趣游戏，不错领导咱们不应该失去玩耍的嗅觉。
Title: Broken Record: Redefined | 冲破记载：重新界说
Name：Mirabelle Sprinkle 米拉贝尔·斯普林
Instructor: Holland Houdek
Medium: Brass， Copper， Vinyl 黄铜、铜、乙烯基
Date of Completion: April 7，2022
Size: 7in×6.5in
Area of Study: Metals 金属
Creative Idea Behind the Project (Artist Statement):
I’ve struggled with hearing loss for most of my life. Even more， I’ve fought to not see myself as a person who is broken or “less than” simply because I am incapable of functioning in ways that fit within the standard norms.Some may look at this vinyl and consider it defective. Others may recognize that although it has been repurposed beyond its intended use， it is still functional. Similarly， if another person is not operating or behaving in way in which they are expected to， it does not mean they are broken. This playful piece highlights the value of breaking free from societal expectations and presumptions.
创作阐明：
在我生命的大部分时刻里，我一直在与听力耗损作构兵。更进军的是，我一直在力图不把我方动作是一个颓残的东说念主或 "不如东说念主 "的东说念主，只因为我无法以合适法式范例的方式运作。有些东说念主可能会看到这个黑胶，以为它有症结。其他东说念主可能会阐明到，它被重新利用，超出了它的预期用途，但它仍然是灵验的。同样，如果另一个东说念主的操作或行径方式不合适他们的期许，这并不料味着他们是坏的。这个兴味的作品强调了开脱社会期许和假定的价值。
Title: Crazy | 跋扈
Name：Olivia Lawrence 奥利维亚·劳伦斯
Instructor: Ron Netsky
Medium: Cradigraph
Date of Completion: Fall 2021
Size: 8in x 13in
Area of Study: Printmaking 版画
Creative Idea Behind the Project (Artist Statement):
Within my art， I had noticed that birds， plants， and the human figure were elements that were naturally recurring in my compositions. I wanted to explore why these three elements were in my subconscious. My artwork deals with the manipulation and juxtaposition of these three elements to express the emotions that I was feeling subconsciously at the time of making each piece. When creating a composition I don’t meticulously plan every detail. Generally， I try to find imagery of one of the elements in the moment that I like and piece all of the remaining elements together as I go. constantly changing the positions and scale of each until it seems right.When creating the plate I started with positioning the figure in the bottom left of the composition. I liked the expression of anger and frustration that the figure had. Next， I placed the plants， finding a position that I felt drew attention to the figure. Lastly， I put the group of three doves into the composition. Making it seem that they were flying away from or out of the figure. I created the plate for this piece during the summer of 2021. At the time there were still many restrictions in place because of the coronavirus pandemic. After seeing the final printed version of this plate I remember feeling particularly frustrated with the situation when creating the plate. For me This piece symbolizes the frustration and anger felt during the pandemic and the hope that eventually life would go back to normal.
创作阐明：
在我的艺术中，我小心到鸟类、植物和东说念主物是我作品中当然重现的元素。我想探究为什么这三种元素存在于我的潜意志中。我的作品处置这三个元素的操作和并置，以抒发我在制作每件作品时潜意志中感受到的情感。在创作一篇作文时，我并莫得仔细诡计每一个细节。一般来说，我会在我心爱的时刻找到其中一个元素的图像，然后在我走的时候把剩下的元素强迫在一皆。不停改变每一个的位置和限制，直到它看起来是正确的。在制作这个盘子的时候，我先把这个东说念主物放在构图的左下角。我心爱这个东说念主物那种大怒和懊悔的表情。接下来，我放弃了这些植物，找到了一个能眩惑东说念主们小心的位置。临了，我把三只鸽子放进构图中。让他们看起来像是飞出或离开了这个数字。我在2021夏天为这件东西制作了盘子。那时，由于冠状病毒大流行，仍有许多限度措施。在看到这个盘子的最终印刷版块后，我紧记我对制作盘子时的情况感到至极懊悔。对我来说，这件作品象征着大流行技能的懊悔和大怒，以及最终活命将收复正常的但愿。
Title: Reflection Pool | 反射池
Name：Olivia Lawrence 奥利维亚·劳伦斯
Instructor: Ron Netsky
Medium: Cradigraph
Date of Completion: Spring 2021
Size: 8.75in x 11in
Area of Study: Printmaking 版画
Creative Idea Behind the Project (Artist Statement):
Before creating this piece I hadn't explored there being water in any of my pieces. I wanted to use a body of water as a setting for the birds fighting. I liked the way the position of the reaching hand and fighting birds were a juxtaposition to the calming atmosphere that the water， fish， and water lily create.
创作阐明：
在创作这幅作品之前，我从莫得在我的作品中探索水的出现。我想用一派水域作为鸟儿们搏斗的场景。我心爱伸出的手和搏斗的鸟与水、鱼和睡莲创造的幽静敌视酿成的浓烈反差。
